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Tag Archives: Carol Burnett

Mel Brooks and his London Stage Version of “Young Frankenstein”.

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I decided to see “Young Frankenstein” before it closed because I was enamored with the film, which I saw four times, and I think that Mel Brooks is a genius, a brilliant comic, a great writer, and a very clever film director. All that in just one small package which spells ‘MEL BROOKS’!

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Mel Brooks

Well I should have saved my money. The best thing about the Show was the Curtain.

MEL BROOKS FRONTCLOTH CURTAIN 2

Nimax Theatres Ltd., I believe, is the company that owns the Garrick Theatre.

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 The Garrick Theatre

Instead of acquiring another theatre, as they seem to do like like a baby octopus, they should spend some of their shekels on cleaning up and refurbishing the Garrick Theatre. It is a disgrace! When you sit in the dress circle you expect the seats to be comfortable. Not at the Garrick! The padding has practically worn down to the wood, and those that are in a fairly good condition are even worse, because you can finish up with a spring hallway up your arse!

Last year when I saw Kenneth Branagh and Rob Brydon in “The Painkiller” at the Garrick, I sat in the dress circle, maybe it could have been the same seat, and finished up with arse ache!  That was a ‘Real Painkiller’ and how appropriate! What a pun that is!

Well, things haven’t improved!

The usherettes stand at the doorway chewing gum and selling programmes, and they do not move. They’re busy talking! and talking! and talking! I think it was about the boys make-up!  They are not interested in showing you to your seat. I was told ‘Row D, Centre!’ by he or she or it. I didn’t know what it was!  All I do know is that usherettes are supposed to usher, move their arses, and take you to your seat. Not stand in the entrance talking and chewing and looking very bored. No wonder the show is coming off!  Most probably they are in the same quandary as the audience because they also don’t know where the rows are. I entered the theatre and couldn’t see a bloody thing! Remember I’m 88, no spring chicken! After stumbling around I found Row D. The aisles and quite a few seats are not numbered. Just a few have faded numbers. So you finish up counting from a number you can see to find your seat.

Nimax Theatres Ltd., do the bloody theatre up!!!

‘This is a fine start to my evening’s enjoyment’, I thought.

The Show itself was not good or really that funny. It was more like a No.1 touring version of the original West End production. In fact, I’ve seen better in the provinces. All I could think was that when Mel Brooks saw it, he quickly collected his money and caught the next plane back to the U.S.A. Very wise!

MEL BROOKS CAST PHOTO 2018-10-02_15-38-56They were the best of the bunch, and even they seemed to be tired!

 I was so disappointed with the show that I left at the Interval.

I don’t blame the cast or the production. If the seats would have been comfortable and the usherettes would have done their job, maybe I would have seen the whole show from a different prospective

But I have to blame the two usherettes and Nimax Theatres Ltd., who started it all, and got me really pissed off, and put me into such a bad mood!!!  What a disaster!!!

I haven’t talked much about the show, because truthfully  there was nothing really  much of importance to talk about.

42nd STREET DRURY LANE.

NOW “42nd. Street” at the Theatre Royal, Drury Lane. WOW!

That’s, what you call a Show!

I went from the ridiculous to the sublime! The show and the cast are fantastic! You just cannot fault it.

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With a cast of over 50, it is a gem and should run for years.

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I couldn’t believe that this was the same theatre that I played in when I was ‘ZEE and CO.” with Cannon and Ball when we made the T.V. Special so many, many, many years ago.

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Lulu was excellent, you couldn’t fault her.

I left the Theatre a very, very, very happy bunny!  That is what Show Business is all about!  Great Theatre! Wonderful memories of when I was working there. and seeing a wonderfully spectacular show.

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Epigram

As Carol Burnett once said and I agree:

“WHEN  YOU  HAVE  A  DREAM,  YOU’VE  GOT  TO  GRAB  IT  AND  NEVER  LET  GO”

Carol Creighton Burnett (born April 26, 1933) is an American actress, comedian, singer and writer. She is best known for her long-running eponymous TV variety show, but she has achieved success on stage, television and film in both dramatic and comedy roles.

After a difficult childhood with alcoholic parents, Burnett discovered acting and comedy in college. She performed in nightclubs in New York City and had a breakout success on Broadway in 1959 in Once Upon a Matttress, receiving a Tony Award nomination. She soon made her television debut, regularly appearing on The Garry Moore Show for the next three years and winning her first Emmy Award in 1962. Burnett moved to Los Angeles and began an eleven-year run on The Carol Burnett Show which was aired on CBS television from 1967 to 1978. With roots in vaudeville, The Carol Burnett Show was a variety show which combined comedy sketches, song and dance. The comedy sketches included film parodies and character pieces. Burnett created many memorable characters during the show’s television run, and both she and the show won numerous Emmy and Golden Globe Awards.

During and after her variety show, Burnett appeared in many television and film projects. Her film roles include Pete ‘n’ Tillie (1972), The Four Seasons (1981), Annie (1982), Noises Off (1992) and Horton Hears a Who! (2008). On television, she has appeared in other sketch shows; in dramatic roles in 6 Rms Riv Vu (1974) and Friendly Fire (1979); in various well-regarded guest roles, such as in Mad About You, for which she won an Emmy Award; and in specials with Julie Andrews, Dolly Parton, Beverly Sills and others. She was also back on Broadway in 1995 in Moon Over Buffalo, for which she was nominated for a Tony Award.

From Wikipedia, the free encyclopedia
 
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Posted by on August 4, 2012 in Carol Burnett, Eric Lindsay

 

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