RSS

Category Archives: Ray Jackson

Mark Canter, England’s Erté without a doubt!

MARK CANTER COVER BLOG RECUTCCI02192019

Mark Canter

Mark Canter came into our lives many years ago when Danny Carroll (later Danny La Rue) brought him into “Heaven and Hell” for a coffee. Ray and I found him very quiet because Danny did most of the talking, as usual. But through the years we slowly got to know him and realized the wonderful talent he had for designing and creating costumes, and also his amazing wit, humour, and fun for life. This was all prior to the “Casino de Paris” days.  We were just two actors who ran “Heaven and Hell Coffee Bar” in Old Compton Street.

MARK CANTER BLOG NEW 1 CCI02192019_0005

To my mind, Mark was England’s Erté, a costume designer ‘par excellence’. His costume designs made Danny La Rue look as though he really had star quality and talent; far, far more than he really actually had. When you were to compare him up against the likes of Sonne Teal and Ricky Renee, truthfully, there was no comparison. 

MARK CANTER FEATHERS 123 2019-03-10_14-13-05

MARK CANTER BLOG 44 2019-01-27_16-57-45

From the drawing board to the finished costume

MARK CANTER BLOG 3 danny recut 2019-01-27_16-50-12

Mark was such a very clever and witty man. He would always have us in stitches. Oh, how we would laugh! My friend Joe Castle played such a big part in Mark’s life for many years. They were together until Mark passed away.

MARK AND JOE TOGETHER CCI02192019_0008

Mark and Joe

MARK CANTER BRIDE JPG 2019-03-07_14-27-39

A Costume Design for Barbara Windsor.

MARK CANTER WRIT-UP 1 12019-03-11_12-43-31

I was very lucky to have Mark design each and every costume for me for “ZEE & Co”.

MARK CANTER JOE KEN DODD ADEPHI THEATRE LIVERPOOL 2019-02-18_9-29-11

Mark, Ken Dodd and Joe in my dressing room in Liverpool.

Mark had designed all the costumes for my act. The photo above is when he and Joe came to the Adelphi Theatre to see the show. Basically, Ken Dodd gave me my chance at that time, and I stayed with him for almost a year. Ken had never seen costumes like them before. He was flabbergasted, as he so often mentioned to me. I am so grateful to Mark Canter and his costumes, which were completely black and silver for “Zee & Co.” They all contributed a great deal to my act becoming an international attraction through-out the world.

MARK CANTER CLOAK 3 2019-02-18_11-35-11

Black velvet, beaded with diamanté

MARK CANTER ERIC AND ANGIE 2019-02-18_11-03-56

A Mark Canter Creation for our appearance in “Dick Whittington” at the London Palladium.  He stuck to the black and silver theme which was part of our act. I insisted that Mark Designed my costumes, and they agreed!  “Quelle suprise!”

MARK CANTER DANNY LIGHTENED 2017-12-12_16-36-38 tiger

A few more of Mark’s Designs

MARK CANTER GREEN 2019-02-24_16-54-41

 

MARK CANTER SILVER BACKGROUND 2019-02-23_20-23-32

 

MARK CANTER PALACE 2019-02-23_19-51-44

When Danny opened his Club in Hanover Square, Mark designed all his costumes. As Danny’s star rose, so did Mark’s, but the strangest thing was that Danny, and also his partner Jack Hanson, never ever gave Mark the full credit that he so rightfully deserved. If a reporter or the BBC wanted to interview Mark, Jack or Danny would always make up an excuse that made it impossible for the interview to take place.  This was a regular occurrence. Somehow. they never wanted Mark to get his rightful credit. Were they frightened that they might have lost him if he became too famous? The costumes that Mark designed for Danny were stunning!

MARK CANTER PALACE USE 2019-02-23_20-16-34

Another Mark Canter Costume

MARK CANTER FRED 2 2019-03-07_23-24-20

MARK CANTER FRED 711 2019-03-07_23-58-18

Apart from designing for Danny, Mark also designed for Barbara Windsor and Shirley Bassey and Diana Dors, and a whole Jewish and Arab contingency for which all the dresses were made by Darnell of London, one of the top Houses in its day. And the dresses cost an arm and a leg.  Also, for a short time Mark branched out into the Fresh Meat business by designing costumes for us at the Casino de Paris Striptease Theatre Club. He’d never seen so many tits in all his life! We did a Shakespearean edition on Shakespeare’s 400th Centenary, for which Mark designed the costumes. They were fantastic, true to the period, and, remember, they all had to come off in pieces!  Oh how we laughed at dress rehearsals. I remember one instance in particular When I produced a Dracula number (If I didn’t know about Dracula who should?). I had already had such trouble with the Gold Brothers when I told them that I was going to use a coffin on stage. The pair of them nearly died! (Then I would have needed two coffins!) No way were they going to have a coffin on stage at the “Casino de Paris”. So, I compromised and made up a frame and covered it in black velvet. It looked exactly like a coffin and it kept the Golds happy. With all the hassle I had with the brothers, I forgot to tell Mark a few things. Come dress rehearsal, I said, ”This is where she picks up the crucifix and the stake.’ From the back of the stools, I heard a loud scream. It was Mark. ‘What crucifix? What stake?  Eric, why the fuck didn’t you tell me beforehand?  You tell me now?’ But, Mark being Mark, within half an hour there was crucifix, and a stake. That was Mark, he could cope with anything. Oh, how we would laughed later that evening! I would always say,  ‘What crucifix? What stake?’  Of course, they both finished up starkers in the coffin in the end! No!!! Not Mark and the Golds! (Although it would have been interesting because rumour had it that Elliott Gold was built like a donkey!)  No!  But, Dracula and Audrey Crane, his lady disciple. Oh, how we laughed that day!

MARK CANTER AND RAY 2 CCI02192019_0003

Mark and Ray, forever the Actor!

MARK CANTER ON SWING LIGHTENED 2019-02-23_19-35-06

I remember one story Mark used to relate. He took his gold watch that he had bought at Kuchinsky’s (a very fashionable jewellers in the 60s) in Knightsbridge back to be repaired because there was a slight problem with the movement, which needed adjusting. After being allowed in by the uniformed guard, because the front door was always locked. Too many robberies! The young man behind the counter removed his eyeglass after examining the gold watch thoroughly. He hummed and hawed a little, and said to Mark, ‘You know the watch is quite a few years old and really it’s not in its first bloom of youth.’  Quick as a button Mark replied,  ‘Neither am I, but I’m not ready for the scrap heap yet!’ With that, he swept out the shop, with gold watch in hand, leaving the poor salesman with egg on his face for thinking he might have talked Mark into swapping the watch for a new model. The guard quickly opening the door in case Mark let his vent out on him!  That was the wit of Mark Canter, he always had an answer!

MARK CANTER AND RAY 1 CCI02192019_0004

Mark and Ray. “Halcyon Days”

MARK CANTER CHINESE CREATION SHARPENED 2019-02-18_11-17-47

A Mark Canter Chinese creation

When I had my show, “Zee’s Summer Magic”, for John Redgrave Productions in the Isle of White, Mark Canter designed a complete set of Chinese costumes for my Chinese sequence for the whole company. This is just one of the costumes. There were too many to mention.

MARK CANTER BLOG 4 4 SKETCH SAVED 2019-01-27_16-57-45

Another Mark Canter Design from the drawing board to creation

MARK CARTER BLOG 1 2019-01-31_13-44-05

Another Mark Canter Creation

Danny La Rue was known for his costumes, which were all the creations of Mark Canter, but really Danny was just the clothes horse! They were all the genius that was Mark Canter,and long may they flourish!

MARK CANTER BLOG 2 LAUGHING CCI02192019_0002     

Mark was such a very clever man, with such a razor sharp wit. He would always have us in stitches. Oh, how we would laugh!

“God Bless You Mark.” Never Forgotten!

What Crucifix? What stake? Have the laugh on me, Mark!

DESIGN 2A CCI02062019

 This design is not Mark Canter’s. It’s from the Ivy Restaurant menu, which I purloined, (being very theatrical), but I thought it would round off the blog very nicely.

N.B.   I have removed the Marlene Dietrich photos for the time being , until I find the Mark Canter ones.

 

Tags: , , , , , , , , ,

I Lost The Plot!

“Harry Potter and the Cursed Child”

harrypotterblog32019-01-27_16-26-48

When I was in New York with Angie, she tried to get tickets for “Harry Potter and the Cursed Child”, but they were like gold dust and those that were for sale from the “ticket scalpers” cost an arm and a leg.  ‘So, I told her to forget it!’ We went to see “The Boys in the Band” and “Anastasia” instead.

Well, imagine my surprise when I was in London one day and by chance happened to pass the Box Office of the Palace Theatre and thought, ‘I’ll chance it!’

harrypotter2cci01272019_0001

I went in and asked the young man in the Box Office if by chance there was a ticket for either a Wednesday or Saturday when Parts 1 and 2 were performed on the same day.

‘Sorry,’ he said, ‘you’re out of luck.’ (Long pause, while he studies the computer screen.  Then! Another, long pause)  All this time I’m holding my breath! ‘But I do have by chance, a return for same seat 3rd row, Grand Circle. (Posh name for the Upper Circle!)  ‘It’s a good seat! For 2 consecutive nights. Part 1 on Thursday and Part 2 on Friday.’  Before he’d finished talking!  ‘I’ll take them!’ I said.

So I left the theatre as happy as Larry, even though I was going to sit in the Upper Circle! I was going to see “Harry Potter and the Cursed Child”! The critics both in London and New York raved about the play.

harrypotterforblog1cci01272019_0002

harrypotteruseinblog2019-01-31_8-43-12

Security Notice for everyone.

harrypotterbloguse2019-01-27_16-18-30

The jam packed crowds waiting and queuing to get into the theatre.

On the Thursday night, I did all that was necessary, queuing at the side of the theatre, going through the barrier, and bag searched before entering the theatre. Then I took my place 3rd row Grand Circle and it was as he said, ‘A good seat!’ I could see everything. Part 1 was about to start.

harrypotterprogrammecci01272019

The programme for both nights.

No! I’m not going to tell you the story! That is a No! No!  You have to see the play.  All I can say is that the play, the staging, in fact the whole production is quite brilliant. Amazing, and I couldn’t wait to see Part 2 the next day.

On the Friday I had already arranged to have lunch with Joe Castle at Joe Allen’s in Covent Garden, and over a bottle of Pino Grigio.  We talked about the “good old days” and about his partner, Mark Canter, who had sadly passed away.

MARK CANTER AND JOE HAPPY CCI02192019_0007

Happier times.

CCI02192019_0001

Joe Castle and Mark Canter

To my mind, Mark was England’s Erté, a costume designer par excellence. His costume designs made Danny La Rue look as though he really had star quality and talent; far more than he actually had. When you were to compare him up against the likes of Sonne Teal and Ricky Renee, there was no comparison.  Mark was such a very clever and witty man. He would always have us in stitches. Oh, how we would laugh! As a matter of fact, I have to do a blog on Mark alone, with photos, costumes and his designs.

markcanterblof52019-01-27_17-47-15

Mark Canter

We talked about Ray Jackson, my partner, who I lost at such an early age. It’s practically 30 years since he died, and I’m still here. Unfortunately! Also all the wonderful times we all had together. We laughed a lot and had a wonderful lunch, and to finish it off we had coffee and another large glass each of Pino Grigio. I told him I was seeing Part 2 of “Harry Potter and the Cursed Child” in the evening, which I couldn’t wait to see because the plot and also the staging was so brilliant. Oh! We had a great time!

After lunch, which was a joy, Joe said he would take me to Balthazar, a restaurant in Covent Garden, to see his friend Brian Silva, who happens to be one of the top barmen in the business and runs the bar in the restaurant.  There we each had a large glass of champagne and Brian gave me his wonderful book of cocktails called “BRIAN SILVA Mixing in the Right Circles at the BALTHAZAR”. Brian told us to wait whilst he sorted his staff out because he was coming off duty and he wanted to take us for a drink. Another!!! I explained that I had to be at the Palace Theatre to go through security by about 6pm, so it could only be a short one. Ha! Ha! ‘No problem!’, he said. ‘You’ll have plenty of time.’ So off we trotted to a great open-air bar near the Palace Theatre, and the three of us had each a very large glass of white wine. By this time I was quite merry and we said our goodbyes, and I went on my way.

brianforblog3cci01312019_0002

Well!!! (pause)  I duly queued and they searched my bag again and they let me into the theatre. There I was back in my old seat 3rd row Grand Circle (Upper Circle in the good old days!). Basically, it seemed, there was the same crowd that had been there the night before. The same guy sitting next to me on my left.

Part 2 of “Harry Potter and the Cursed Child” duly started and I was intrigued with the story. Then everything seemed to fly by me in flashes. I’m not sure whether I fell asleep or just nodded off. I couldn’t have snored otherwise the guy next to me would have nudged me to wake up. But anyway, I think I woke up at the interval, and I really couldn’t tell what had happened in the first part. I’d really and truly lost the fucking plot. So I spent the rest of the time when the second part started trying to figure out what had happened in the first part. I finished up none the wiser. I was well and truly fucked and pissed. I really haven’t a clue about “Harry Potter and the Cursed Child” Part 2, which means that I have to go back to the theatre and try to book just for Part 2 again!

Next time I will definitely not have lunch beforehand!

 

 

Tags: , , , , , , , , , ,

The Two PeopleWho Hold A Very Special Place In My Heart

STATUE OF LIBERTY 2

The Statue of Liberty, New York

RAY AND ANGIE CROPPED 1

Ray and Angie

It was such a joy for me to return again to New York, just to see my beloved Angie once again. The happiness of seeing her once more, gives me such a warm and glad feeling in my heart. She has never changed, just the same sweet girl who I first met many years ago through George Kovari the Magician. When I think about it, it was George who literally forced me to engage her to become my principle assistant in “Zee & Co.”, and I thank God that he nagged and badgered me, and cajoled me, and insisted that I take her. I am indebted to him forever, otherwise a part of my heart would be empty and I would have lost out completely!

(This is a note that Angie gave me)

ANGIE'S ENVELOPE

RAY AND ANGIE BARONS KEEP

              Ray and Angie in our flat in Barons Keep

I’ve written so much about Ray, that you must be sick and tired of me mentioning him. But unfortunately he is just stuck there in my heart, and always will be.  Not a day doesn’t go by that I don’t think of him. It’s nearly 30 years since he died, and I’m still here!!!     I’m beginning to sound like bloody Queen Victoria, and truthfully, and unfortunately for me, that is the way the dice has been cast!

ANGIES LETTER NO.2.

My first night there we ate Dinner again at the delightful ‘Trattoria del Arte’, with Randy her husband who took time out to see me from his busy work schedule. The food was excellent as always, plenty of Pino Grigio Wine which happens to be my favorite. It was there that she showed me the photo of herself and Ray, which she promised to have copied for me, before I left New York.

The noise in the Restaurant of the New Yorkers enjoying their food and talking happily was something I had forgotton about. It was so loud but everybody was enjoying themselves and having a good time, and that really is what life is all about. I had just forgotten that I was back in New York.

NEW YORK VIEW AT NIGHT 2018-05-16_12-30-07

New York at Night

BRAODWAY LIGHTS 2018

The Lights of Broadway

Angie took me to see 2 shows whilst I was in New York.

“Boys in the Band” and “Anastasia”

THE BOYS IN THE BAND 2 CCI09172018_0002

The “Boys in the Band” I was so disappointed in, for one thing apart from the 3 principles.

THE BOYS IN THE BAND CAST 2018-09-17_15-31-31 Jim Parsons, Zachary Quinto and Matt Bomer

I couldn’t hear a lot of what the rest of the cast were saying. Of course! At my age I could be going deaf! It wasn’t a bit like I remembered it, and to be truthful I didn’t really enjoy it. I was told later by my very good friend Judson Barteaux when we met again for lunch, when I was in Fort Lauderdale, that part of the script had been changed “Political Correctness” why is it that a part of a play or even more seriously part of the World’s History and Heritage is just being changed and lost forever? This is a question that bothers me constantly. We are losing our very existence. Why, do people want to change everything? When it’s not even for the better!

theboysinthebandnoticeforblog2018-09-17_15-36-25

Anyway to round off the evening we went to Sardi’s for dinner, this happens to be one of my favorite Restaurants in New York. Very Theatrical!

SARDI'S NEW YORK FOR BLOG

The following night we saw “Anastasia”.

ANASTASIA 1 CCI09172018

Fabulous!

ANASTASIA COLOURED 2 2018-09-17_15-21-12

Now, that was another thing altogether!

ANASTASIA THEATRE FRONT 52018-09-17_16-24-52

The Broadhurst Theatre

ANASTASIA ARRIVING IN PARIS. 882018-09-17_16-55-36

Christy Altomare who plays Anastasia is outstanding.

ANASTASIA THE ZSARS COURT 18-09-17_23-29-50

The Court of Tsar Nicholas 11 of Russia.

ANASTASIA SINGING PARIS SCENE 10 2018-09-17_23-27-21

Anastasia’s arrival in Paris

ANASTASIA THE TRAIN RIDE2018-09-17_16-49-53

The Train Station in Moscow, where they take the Train to Paris and the Train Journey. I’ve never seen anything like this on any Stage before. Can you imagine a train ride from Russia to France? Unbelievable! ! !

ANASTASIA THE TRAIN RIDE 44 2018-09-17_16-47-41

The Train twists and turns through the Russian Countryside and all the various countries they pass by, and the various weather conditions, and the foliage changing with the climate. There are Maps showing their route as they go on their way through to Paris.

ANASTASIA THE TRAIN 11 2018-09-17_16-27-32

The Train Journey through the Russian country side.

ANASTASIA THE TRAIN 22 2018-09-17_16-42-56

The final arrival of the Train through a Forest of Red Maple Trees in full blossom leading, parting, and opening into Paris and the Eiffel Tower. Has to be one of the most beautiful scenes, to be seen on any Stage.

ANASTASIA THEATRE SCEBE 5 2018-09-17_16-17-07

The whole Show is quite amazing! It has to be one of the best shows I’ve ever seen on Broadway. You just cannot fault it.  It is perfection! When it comes to London see it and enjoy it. It should be No.1 on your bucket list.  

After seeing such a wonderful Show which was so amazing, Angie and I went to Joe Allen’s, another one of my favorites. Great food at this Restaurant. Theatrical also! Can’t help it the Theatre’s in my blood!

JOE ALLEN NEW YORK STREET

Then a last lunch at Barney’s with Angie and Randy. The time passed so fast. I would have loved to have spent more time with her. But time seems to go so quickly these days, and I’ve been around for such a long, long, long time!

BARNEYS NEW YORK

Barneys New York

NB. (I have to explain that Barney’s is a sort of cross between Fortnum & Mason and Harrods all rolled into one. Quite Ritzy!)

That is where Angie gave me the the framed photo of her and Ray in Barons Keep, and the following morning I caught the Amtrak Train to Fort Lauderdale, Florida.

Which is another story. You wouldn’t believe it!!!    To be continued:-

 

 

 
6 Comments

Posted by on July 26, 2018 in George Kovari, Ray Jackson

 

Tags: ,

“San Simeon” My Folly!

SAN SIMEON ATRIUM ERIC 22

Let’s start with the Definition of the word “FOLLY”. 

A lack of good sense or normal prudence and foresight. A foolish act or idea, and an excessively costly or unprofitable undertaking. Which includes: “Ricky Renee’s”, “Stringer’s Last Stand” Eric Lindsay’s “Folies de Londres”, etc. etc. etc: and last but not least “San Simeon”.

Stupidity and extravagance, that goes into making up part of the definition of Folly, and I regret to say all these things pertain to me. I think I must be the idiot who invented the word Folly

When Ray and I decided on moving to Spain after the run of the Magic Castle Show at the Cambridge Theatre in London.

Ray wanted to buy an apartment on the Costa del Sol in Spain.

I wanted to build a house, because the cost of building on the Costa del Sol was so reasonable at the time. Who was I fooling! Folly!!!

I didn’t know it didn’t include, the excavation, the retaining walls, the paving to the villa, a swimming pool, the land fill, you name it, it didn’t include it.  

The house I designed was a brilliantly extravagant and picturesque structure that was built to my fanciful taste, and I have to say I planned it well. In fact it was my ‘Folly’! It had white marble floors throughout, Cazares stone Paving and Retaining Walls. Solar Panel Heating. You name it the Villa had it.

SAN SIMEON FRONT AND ENTRANCE

A view of the layout of the villa. It was large!

SAN SIMEON FRONT AND ENTRANCE THRU TO ATRIUM

The main entrance to San Simeon, looking through to the center atrium.With the barbeque.

SAN SIMEON FRONT AND ENTRANCE ENLARGED

On closer look the two candelabra in the entrance were an exact copy of those in the film Sunset Boulevard. Ray loved that film, so I had them made.

 SAN SIMEON CENTRE ATRIUM

Inside the villa to the center atrium

 SAN SIMEON CENTRE ATRIUM ADRIENNE

The atrium set for a dinner party. This was a usual occurrence during the summer months. Otherwise we would eat on the terrace or in the dining room.

SAN SIMEON TERRACE AND SCORPIO'S CAGE AREA

The Terrace from Scorpio’s Cage, so he could see me constantly. It also overlooked the Pool. This is me on the front terrace, with my Agent Jamie Phillips who happened to be staying.

SAN SIMEON SCORPIO'S CAGE AREA

Scorpio in his cage with all mod cons and a dormitory for him to sleep. Also he could watch the comings and goings of all ad infinitum.

SCORPIO BEINF FED IN SPAIN

Here I am feeding Scorpio by hand in his cage, which I did every day. That is how tame he was.

SCORPIO IN SPAIN 2

This is a photo of my beautiful tame leopard Scorpio.

SAN SIMEON FRONT OF VILLA FROM STREET VIEW 1

Front view of the villa from the road. The little roof to the right of the terrace was where Scorpio’s cage and dormitory was. The Hollywood Double Staircase led down to the Pool Area.

SAN SIMEON FRONT OF VILLA FROM STREET 2

A secondary view of the Villa from the road.

Paying so much for the land was Folly, because the Builder that was recommended to us, by ‘friends’ (who most probably got a cut) robbed us and the plot of land that we original picked for the house, was in a different position to where our builder intended to build it. Most probably he got his plot a whole lot cheaper. Everything was completely different to where we had originally agreed. It was all a disaster!!! 

 

He refused to return our deposit.  Big fiasco! Money lost!!! (That was a time when I really needed Sadie’s Frank, or someone who could do maybe knee caps!)

So it meant getting another builder and starting all over again.

Ray tried to talk me out of it and normally when he made his case I would always listen and do as he said. After all he always knew best.

But I didn’t know he was ill and he hadn’t the strength to stand up to me to make his point.

So I went ahead and designed my dream house.

Idiot that I was. What a stupid action and idea it was on my part.

SAN SIMEON LOUNGE 1

The lounge, looking through to the dining room. 

SAN SIMEON SPAIN. THE LOUNGE

The other end of the Lounge leading to Ray’s bedroom.

SAN SIMEON SPAIN. THE LOUNGE

The dining area

SAN SIMEON ERIC 22

Me with my “Soungeroff Clown”

SAN SIMEON KITCHEN 22

The Kitchen

SAN SIMEON KITCHENNO 1.

The full Kitchen

So by now you must fully understand the definition of the word Folly. My Folly!!! A popular name for a very costly structure that I had built. Where ignorance is bliss it is Folly to be wise.

Thesaurus explains it as; a building or project that costs a lot of money. How right they were! What the Hell! 

SAN SIMEON STUDY & I OF THE 4 MASTER BEDROOMS

This was my Study that I built for myself, full of Magic.

Zee had this wonderful contract to Star in a new Revue at the Scala Cabaret in Barcelona and also Madrid, which was Spain’s equivalent to the Lido Cabaret in Paris. So for the whole time I would be working in either Barcelona or Madrid the Villa was being built. Or so I thought and by the time my contract was over, the villa would be finished.

Ha! Ha! Who was I kidding. The only thing that would be over was that everybody would be dead!

SAN SIMEON STUDY & I OF THE 4 MASTER BEDROOMS

Ray’s Master Bedroom with Bathroom en suite 

If I say so myself, the Villa was beautiful, and finally when it was finished. Finally! Finally! Finally!

My parents had died, Ray had died, his Mother had died, and I was left alone in this fucking big Villa with Scorpio my Leopard and Suki who was on her last legs, and the Villa still wasn’t completely finished. The swimming pool had yet to go in.

SAN SIMEON TERRACE AND POOL AREA 1

When the swimming pool, at long last, which was the last thing to be finished, and if I say so, finished it was a work of art.

SAN SIMEON TERRACE AND POOL AREA 22

Everyone now was dead,  including Scorpio who was put down as he had accidentally ripped my throat open (my fault completely), and also Suki from old age.

By that time I had lost it completely and I was drinking quite heavily.

Uncannily, the pool was finished exactly to the day one year later that Ray had died.

Was that an omen or what?

A fitting epitaph!

SAN SIMEON TERRACE AND POOL AREA

The mosaic was King Neptune on a Chariot drawn be three Sea Horses. It was quite beautiful.

Ray couldn’t swim so I designed the pool with two shallow ends, with the centre that was just 6ft. So that if Ray had had problems in the deep end that once he had started struggling he would have been in shallow waters. Little did I know that he would never see or use the pool?

 

Please note: All these photos were taken post Ray’s death.

San Simeon

(Ray loved the name)

William Randolph Hurst built San Simeon and everyone said it was a Beautiful Folly. It was a Castle on the Grand Scale.

Whilst the Castle was never completely finished, it stands as the remarkable achievement of one man’s dream.

So in my very small way I was doing the same thing and had the gall to name it the same as his fabulous Castle!

I designed a Villa built around a center courtyard, very Spanish. There were four Master Bedrooms with Bathrooms En Suite one in each corner of the house.

There was one for Ray, one for his Mother, one for my parents, and one for myself. There was also a covered 3 metre Terrace running around the House, perfect for keeping the Villa cool,and shaded from the sun.

 As time and the years passed and I had lost all my loved ones, I grew to hate the villa and Spain. I knew that I had to break away from a dream that had become a Folly. So I packed everything up and returned to England with Ray’s Urn. The removal firm lived up to their name, and in transit, removed half my possessions’ including most of my silver and valuables. Except those that I had managed to pack into my car.               But that’s another story…………….  

 

 

 
 

Tags: , , , ,

Homage to Ricky Renee

RICKY RENEE PORTRAIT

It is with great sadness that I have just heard of the death of Ricky Renee.

Although there was no love lost between us, because too many bad memories occurred during the time that Ray and I spent with him in the late 60’s. when we opened the club for him called “Ricky Renee’s” in Covent Garden.

Ray and I never saw, spoke or had any contact with him whatsoever, from the day that we closed  “Ricky Renee’s” Club. As they say time heals all wounds, so what is the point of bearing malice and animosity when the same is going to come to all of us.

RICKY RENEE WHAT A TALENT!

He had it to his fingertips, the man and his persona was perfection itself and I have to hand it to him, he had such style.

Whereas Danny La Rue had meagre talent, but a brilliant business brain in the shape of Jack Hanson, Ricky Renee was all talent and unfortunately no business brain.

We gave him the best of everything, Douglas Darnell designed his costumes, the club setting was sumptuous, and he had a cast of the best West End performers supporting him. But it wasn’t to be! The Gods were not with us!

RICKY RENEE DRESS.

This is the way I best remember Ricky, glamorous!

The dress was solid bugle beads on chiffon. The coat was silk, trimmed with a white feater boa that went on for yards. The whole ensemble cost a fortune and was made by hand by Douglas Darnell. In fact, Shirley Bassey, who was then married to Kenny Hume, saw the show and immediately ordered a copy of the dress and coat from Douglas! When the show closed, Ricky being theatrical, as we all are, walked off with the dress and coat. That was last we saw of him, the dress and the coat, much to my chagrin! He must have worn it till it fell to pieces; judging from all the photos that I saw of him in it in later years.

ricky-renee-pose-1 BOTH

The tiger was a rug that we had at home.

RICKY RENEE'S CLUB LONDON. NEW 2

The finale of the show, Ricky as a man on my very expensive glass floor.

RICKY RENEE HALF AND HALFfe3170458286c0358166dde903be0ceb

The photo shoot to get this shot took hours.

ARTHUR HELLIWELL AND RICKY RENEE

One of the top reporters of the day, Arthur Helliwell of The People newspaper happened to be a friend of ours. Arthur was one of the toughest reporters going. He interviewed Ricky and gave him a glowing report, but all too late! It wasn’t to be!

Ricky Renee in 2002 old

Ricky in later years. I have no idea of the date, maybe 2002. He still looked good.

R.I.P. RICKY

So another great one has bit the dust.

 

Tags: , , ,

Ray Jackson Remembered

RAY AND ERIC IN CANNES + 2

Ray Jackson

Today, October 25th, 2017, is the 28th anniversary of Ray’s death. 28 years! Where has the time gone? I have no idea! All I know is that the pain and ache is still here. When I think about him, which I do every day, it is as though it happened yesterday. The hurt is still there.

I feel as though I’m Queen Victoria pining over Albert, except I haven’t got a John Brown or an Abdul Karim to help me out.                                                                          More like Macauley Culkin. “Home Alone”! That’s just the way it is. That is my lot!

I miss him so much – talking to him, his wonderful sense of humour, and the laughter and oh! So very much! So very much! But most of all, he was my friend. I trusted him with my life. Never in a million years did I think that I would live this long. On the 13th of November I shall be 88 years old. Loneliness is a terrible thing, but please, dear reader, don’t feel sorry for me. My life is wonderful and really I’m very happy and content, but alone. There is a part of me that is lost and will never come back.

I remember, going back in years, it was either in 1995 or 1996 or even 1997, I’m not really sure of the date because really at that time I was so confused. Ray’s death had hit me so badly that I wasn’t sure of anything anymore or really what was happening. Even though it was nearly 10 years since he had died, it was as though I had an open knife wound in my heart that would not heal. I was forever on the move, all the time traveling between the villa in Fuengirola in Spain and the flat in London. Not working. Just on the move. It was like going from the sublime to the ridiculous every time I left Spain, but it brought me down to earth with a bang every time I was back in London, and all this time Ray, or I should say his ashes in a very unattractive urn, traveled with me. It would be on the mantleplace in Fuengirola or on the fire surround in London. It was all somewhat a little macabre. In fact it was very macabre, and many people said so, but I could not let go. I just could not believe that I had lost him forever.

Somehow I had to have him with me at all times and either flying to Spain or driving there, the urn travelled with me and I would talk to it. I think really I was either losing it mentally or I had already lost it! In fact I was always fully expecting the customs to open it thinking I had a stash of marijuana in there.

Whenever I was in London I would meet up with Daphne who was our cleaner when we were living in Barons Keep, and we had always kept in touch whether we were in the States or later in Spain. We would go to a pub in Soho Square and get quietly pissed talking about the old days and when Ray was alive. We spent good times together. Daphne was a spiritualist and when she was cleaning Barons Keep would collect hair from a hairbrush or comb and the odd nail clippings, both Ray’s and mine, and send them off to some crazy lady living in the country who would give her mangled readings about our hair or nails. Ray and I always took the letters with a pinch of salt, but Daphne believed it and it made her happy. She was forever telling me that her husband would die soon. The woman had told her that he hadn’t long to live, and she would be free. It deemed he was a burden to her. In Barons Keep when she was cleaning we always had a coffee together before she started work. When I wasn’t there, Ray would take over, although he wasn’t too keen on it as he used to say, “she talked too much”. On one of my returns to London post Ray, I got a call from Daphne’s daughter-in-law. She told me that she had been trying to telephone me for months, and, to cut a long story short, “Daphne had died”. The first thing I asked was whether her husband was still alive and she told me he was well and very much alive. So much for the clairvoyant who read hair and nails!

Well, I decided to talk to Ray (the urn, that is!). Daphne’s daughter-in-law told me that her ashes had been scattered in the Rose Garden of Remembrance at the Mortlake Crematorium

 

mortlake-4

MORTLAKE CREMATORIUM

I went there to see where they had strewn Daphne’s ashes. Daphne’s daughter-in-law had given me complete instructions as to the exact spot, by a rose tree on a certain path, in the Rose Garden. It was such a beautiful day and it was so beautiful there just by the Thames, peaceful and tranquil.  Ideal for Ray.

LONDON TOWER BRIDGE2018-02-24_15-03-26

Tower Bridge the main source of the winding Thames.

mortlake-2

A subsidiary of the winding Thames

    It was so ideal, that I thought that at long last I had found a spot for him to rest.

mortlake-number-1

THE CLOISTERS AT MORTLAKE CREMATORIUM

Well, I went back to the flat and talked to Ray (the urn, that is). I knew that he must have been as sick as I was with all the travelling backwards and forwards, and I told him that it was time I let him go and that it was quite beautiful where Daphne was and at least he would have company and someone to talk to, even though she might drive him mad now and again.

 

mortlake-3

A ROSE FROM THE ROSE GARDEN

So the deed was done and I had his ashes spread by the rose tree, so he could talk with Daphne and have a wonderful view of the Thames. They kept the urn at the crematorium. Talk about recycling, it wasn’t even theirs. I paid for it when Ray was cremated at Golders Green Crematorium!

So I had put Ray to rest. I wasn’t happy about it, but it had to be done, and he was in a beautiful spot and, God Bless him, he at least had Daphne to keep him company. In my mind I thought that when my time came I could have my ashes spread in the same spot (That all sounds so good and easy. Ha! Ha! Don’t believe it!). On my last visit, I am always taken there by my very good friend Shane Collins.

_JPM1545desat(2)

SHANE COLLINS

Shane who is as famous as a Theatrical Agent as he is Theatre Producer and Director. He has received numerous awards for his brilliant productions of Gilbert and Sullivan. Too many for even me to remember. Whenever I am in London I stay with Shane and as I don’t drive any more (too old), he always takes me to the Mortlake  Crematorium.  I had asked him to spread my ashes in the same place as where Ray was when I pop my clogs. Don’t you believe it! The rose garden with all the paths had gone! In it’s place was a green field – no paths, no rose trees, nothing! With a big sign that said keep off the grass!  “Fuck it!”, I said to Shane, “When no-one was watching, go into the middle of the field and chuck my ashes towards the Thames, making sure, of course, that the wind was behind him. I didn’t want him to finish up with a mouth full of Eric Lindsay

 

PLAN OF MORTLAKE CREMATORIUM ROSE GARDEN

This is a plan of the way the ROSE GARDEN was, and Ray’s ashes where laid between 36R2 and 37R1 up in the top left hand path 36 – 37. Well when I was last there, there was nothing but lawn and a big fucking notice which said.

“KEEP OFF THE LAWN”

Well, sod that for a lark!

DO I BELIEVE IN EUTHANASIA?  YES!    

I have seen and read too much of the old people’s care homes, government-run or private. They are all the same, and I wouldn’t wish them on my worst enemy. There is a total loss of all dignity and privacy.

When the time comes, I would like to be able to control my own destiny and death. The only thing that I would really wish for is to die on the 25th of October, the year doesn’t matter. Then, when and if I am remembered by friends it will be linked with Ray’s name, and the toast will be to the both of us, and we will be together at last.

So rest assured dear reader that for the time being I certainly won’t be popping my clogs this year or even in the near future. It’s just that I have to plan to wait for the 25th of October to come around one year in the future. 

Meanwhile I will stay very much alive and happy.

RAY JACKSON FOR NEW BLOG + 1

Ray Jackson.

 
8 Comments

Posted by on October 25, 2017 in Eric Lindsay, Ray Jackson

 

Tags: ,

How it all Began. “ericlindsay.wordpress.com.”

 This is how I met Andi Brooks and how my Blog began.

 

tokyo-at-night-2

MR. ANDI BROOKS

eric-and-andi-tokyo-cropped

Andi and me having coffee in Tokyo

Around the time of 1996 my Agent Jamie Phillips of Trends Management told me that an advertisement kept appearing in the Stage Newspaper looking for me, or asking maybe if I was alive or dead? No such luck, I was still alive and kicking!

As I had time to spare and no one to talk to, I telephoned to the gentleman who placed the advertisement. His name was Andi Brooks who lived in Bath. That is how we met. He came to London and interviewed me in August 1997 for his future book that he was co-author with Frank Dello Stritto called “Vampire Over London” the whole interview is somewhere on my Blog. Through that interview Andi and I became friends and kept in touch with one another even after the book was published in 2000, and what a beautiful book it is too.

All this time I would talk to him about various things that had happened to me and he was forever telling me that I should write about it. But I kept explaining to Andi that Ray when he was alive was the writer. I never wrote anything. Ray would write to my parents, write all our business letters, and sign important papers. He got it down to a fine art, he could even do my signature on cheques,(which I had no problem with) until one day the bank manager called me into his office to say that my signature on our joint bank account seemed to have changed. So I explained that I had sprained my wrist and found it difficult to write properly. I told Ray that when he wrote my name he had to take his time with it and that a scrawl just didn’t work. I couldn’t keep on going back to the bank manager with excuses. That was the trust we had in one another. I trusted him completely. So when Andi suggested that I should start a Blog it took a great deal of persuading  and convincing on his part over many, many  years for me to even contemplate it.

In the year of the millennium 2000 by chance I was appearing in “Aladdin” at the Theatre Royal, Brighton and had the pleasure of meeting Frank Dello Stritto and his wife, who came to a matinée of the Show, before they left for America for good and also arrange the publication of their book “Vampire Over London”. So strange because it was at the Theatre Royal, Brighton that “Dracula” opened in 1951 and the whole story started. This intrigued Frank completely, to believe that he was actually in the same Theatre.

“Vampire Over London” was an enormous success and has now gone into it’s 2nd. printing. The publication is such  excellent quality.

Well over the years Andi and I kept in touch, he told me that he had married a Japanese student named Kyoko and later they went off to live in Tokyo, Japan. All this time we kept in touch, and he was forever urging me to write a Blog about what I had done over the years. He explained that he would set it up for me with WordPress.com and do all my editing in fact the whole caboodle. In fact he has been faithful to his word and encouraged me 100% to write. I didn’t think I could do it, and I wasn’t sure that what I had to say would interest anybody. But the proof is in the pudding and “ericlindsay.wordpress.com” came into being in 2012 and by some miracle it seems to be a success. I don’t understand why because really I can’t write, at least that’s what I tell myself, so it’s all thanks to Andi Brooks. Bless him!

eric-and-andi-tokyo-resized-this-is-the-one

Meeting up with Andi and Kyoko in the Coffee Shop in Tokyo.

On the 7th of October 2016 I flew into Tokyo and met up with Andi, who I hadn’t seen since our first meeting in London in August 1997.  Twenty years is a long time and we had plenty to talk about and we did non-stop. Later, Kyoko joined us and I had the pleasure of meeting her for the first time, and what a charming lady she is. Andi had done himself proud. To think of the young man who had interviewed me so many years back and now here he was with a full family.

 

tokyo-at-night

What an amazing place Tokyo is, and I had two whole days to be with Andi and his family and talk. They also showed me part of Korean Town which was in the area of my hotel.

 

JAPANESE GEISHA 1

I was lucky enough to see a Geisha on the street.

 

eric-and-andi-tokyo-yui-this-is-the-one

Yui Brooks.

During the time that Andi has been living in Tokyo he has been blessed with a handsome son called Yui who is now 14yrs.old. Yui is a budding artist, and drew a quickie for me on my visit. I look a little beaten up, but it’s a great souvenir. He travels everywhere with his pencil and pad.

The top one certainly gives me a beaten up look.

yuis-drawing-cropped

Whilst I was there it was his birthday so I sent him a card in English.

eric-and-andi-tokyo-4

YUI with his Birthday Card

 

eric-and-andi-tokyo-11

Yui, me, Andi and Kyoko at Dinner.

Yui travels everywhere with his pencil and pad. He even took it with him when we had dinner together in a typical Japanese Restaurant.

 

eric-and-andi-tokyo-kyoko-yui

Kyoko and Yui seeing my off at my Hotel.

Whilst I was there it was Yui’s Birthday, so I managed to find a card in English. The few days that I was in Tokyo I did no sight seeing whatsoever. I was just happy to spend all my time with Andi and his family. The happiness he has given me with my little Blog is amazing.

I have so much to thank him for, he has really given me a reason for carrying on.

 

YUI'S BIRTHDAY PHOTOS 2

YUI, HAPPY BIRTHDAY ONE YEAR LATER (a new photo which I have just received)

eric-and-andi-tokyo-cropped-and-sharpened-5

Me and my very good friend ANDI BROOKS.

 

eric-alone-on-the-diamond-princess

Time to leave Tokyo, and goodbye to my friends.

tokyo skyline with bridge

A wonderful memory that I will treasure forever.

 

Tags: , , , , ,

Video

Dr. Murray Banks, Psychologist and Comic

DR. MURRAY BANKS PHOTO A

Dr. Murray Banks

new-york-cyclorama

Wandering around New York, when I was there last year, and walking through Central Park I found myself in the Upper East Side, one of the most exclusive neighborhoods in Manhattan, and recalled the wonderful brownstone town house that was owned by the late Dr. Murray Banks, who happened to be one of the most sought after speakers in America during the 1950s and 1960s.

Dr. Murray Banks was a clinical psychologist and was formerly a full professor of psychology at Long Island University and at Pace College, NYC, where he headed the psychology department for over five years. He was also a visiting professor and special lecturer on various subjects at the University at North Carolina, New York University, Temple University, New Jersey State Teachers College, University of Pittsburgh, and Brooklyn College. (From Wikipedia, the free encyclopedia)

BROWNSTONE NYC 1A

A typical brownstone in Upper East Side, Manhattan

The house on 62nd.St. Upper East Side was beautiful both inside and out. The furnishings, were antique with a few modern pieces. It had the most fantastic staircase that was made with balusters of Antique Venetian glass walking sticks. I have never seen anything quite like it. Not my taste, but quite stunning. The man was a millionaire with an odd quirk, as we were soon to find out as we got to know him. He was mean, generous in many ways, but as far as money went “as tight as a ducks arse in water!” Maybe that’s how he became a millionaire, who knows? But I go ahead of myself.

How Ray and I first met him is rather strange. It was in London in the early 60s. A friend who knew Dr.Banks well invited us to one of the lectures that he was giving at Woolwich Town Hall, which had a very large auditorium. Both Ray and I were really not into lectures per se, but our friend convinced us that we had never heard a lecture like one from Dr. Murray Banks, and he was right. It was laughter all the way.

Before the lecture we were introduced to Dr. Murray Banks, a rather short, stocky man, with a wonderful welcoming smile, and a very strong Jewish Brooklyn accent. He had a rather ill-fitting toupee that seemed to have a life of its own. He was standing by a table surrounded by dozens and dozens of books and records, all for sale (of course!). After introductions he grabbed me and said, “Hey Eric, when I ask for questions from the audience, I want you to ask me, ‘Doctor, what do I do for a persistent cough?’” So of course I agreed.

 The lecture hall was packed and we were seated in the dress circle center. The lights dimmed and after an off stage introduction Dr. Murray Banks made his entrance and the lecture proceeded. This dapper man with the ill-fitting toupee held the audience in raptures. They laughed continuously. Question time came and after a few questions from the stalls, Murray looked up to the dress circle and asked, “Has anyone there a question?” My cue! I put my hand up and shouted, “Dr. Banks, what can I do for a persistent cough?”          

 Murray looked up at me and said slowly, “You ask, young man, my remedy for a persistent cough? ” He paused, then said. “Take plenty of laxatives, and then you’ll be too scared to cough!” The audience was in hysterics and that is the way the rest of his lecture continued. For a psychologist he was a brilliant comic. He knew the way the mind worked, after all he was a Psychologist! He was on the ball the whole time.

 After the show we went downstairs by the entrance where Murray had his table full of wares and he was surrounded by people buying books, records, autographs, etc., and the money was changing hands fast. Straight into his pocket. 62nd.St.In fact they laid the table bare. We asked him whether he would like to go out for dinner, but he said that he was tired and just wanted to go back to the Cumberland Hotel at Marble Arch where he was staying. I thought maybe he wanted to go back to count his money! So we gave him a lift in the Rolls. He had no luggage, he’d sold everything! As he was staying in London for a few days before he did his lecture tour around the whole of England, we arranged to take him for dinner to April Ashley’s Restaurant, April and Desmond’s the following night.

APRIL ASHLEY 1A A

The lovely April Ashley

We collected Murray at 8p.m. and drove to Knightsbridge. He was intrigued with April and thought she was so beautiful. He was ‘au fait’ with her past history and told us that he was very friendly in the States with Christine Jorgensen, who was the first Trans Gender American, whom he had given counseling to many times. Well, we had a fine old time. Unfortunately Murray didn’t drink, only cordial (ugh!), but Ray and I made up for that! After a very enjoyable evening we took him back to the Cumberland Hotel and left him with the promise that the next time we were in New York we would see him there. As it turned out he came back to London for a few days at the end of his tour and this time we took him to ‘Joe Allen’s’, which he also knew from New York.

JOE ALLEN'S IN  LONDON 1A

A normal evening at Joe Allen’s in London.

The next time that Ray and I were in New York we rang Murray and he invited us over to his house, which I have already described. For someone with such exquisite taste, he dressed so badly, but that was none of our business. He offered us a drink of either cordial or Coca Cola or coffee. There was no alcohol in the house. So we settled for a coffee, which he got someone else to make. Later we all went off to Ted Hook’s Restaurant called ‘Backstage’ a great fun place, for dinner, our treat. Murray stuck to his cordial, but he was still great fun.

TED HOOKS BACKSTAGE BAR 1A

 As we were only in New York for a short time and Murray was busy for a week with lectures, it was left that he would take us to his favorite Chinese restaurant in China Town the next time we were in New York. Two months later we were back in New York and Murray collected us from the Waldorf Astoria in his chauffeur driven limousine and we were off to China Town.

The limousine stopped at the tattiest looking restaurant on the block. The owner greeted Murray as a regular and we were ushered to a table with a torn table cloth. Murray told us that the restaurant didn’t serve drinks, ( if we would have known, we could have brought a bottle), so Murray ordered 3 glasses of water, which came three quarters filled (they knew Murray from old). He then took out of a carrier bag a baster which one usually uses for the turkey. This time it was filled with cordial and he preceded to fill up our glasses. I didn’t dare look at Ray and he didn’t look at me. It took us both all our effort to keep a straight face. Meanwhile Murray didn’t turn a hair, and just behaved as though it was his norm. Well it certainly wasn’t ours, and the meal really was awful! Next time we knew not to accept a dinner invitation from Murray. Still it was his only quirk and I have never met a psychologist, or psychiatrist, or psychoanalyst who was normal.

He told us that he would be away lecturing on a world cruise, so he was renting the house to Judy Garland as she was appearing in New York. It all sounded very jolly. Judy Garland! My, oh, my!

Next time Ray and I were in New York we rang Murray to invite him out for dinner, we weren’t going to chance an invite from him again! But he declined and told us to come over to the house instead, as he’d just returned from another world cruise lecture. When he answered the door he seemed very down, and when we asked him why, he just pointed round the room and said, “Look!” More than half of the antique Venetian glass walking sticks on the staircase were smashed. Apparently Madame (Judy) or the children, in a fit of pique had taken a stick and smashed them. He said that there was more damage upstairs, which we didn’t see, as we had never been upstairs. Litigation was in process.  Her cheques had bounced. Poor Murray!  and also poor Judy! it seemed that his rental to Judy Garland had been a very unprofitable, dead loss.

The last time we saw Murray was when Zee and Co. was staring at the Sheraton Bal Harbor Hotel in Miami and we went to see him at Fort Lauderdale where he was getting ready for another cruise lecture.

 I have downloaded 3 L.P.s from YouTube of Murray Banks for you to listen to. I’m sure you will agree with me that he was a wonderful comic with an ingenious mind.

 

DR.MURRAY BANKS CD 3A

Anyone Who Goes To A Psychiatrist Should Have His Head Examined

Part 1: https://www.youtube.com/watch?v=nOTO1ElLwEc
Part 2: https://www.youtube.com/watch?v=C5P3TG6mIs8
Part 3: https://www.youtube.com/watch?v=gd0oTyd_gCs
Part 4: https://www.youtube.com/watch?v=S3PF2M9-APw
Part 5: https://www.youtube.com/watch?v=7AKLIHeEoXc
Part 6: https://www.youtube.com/watch?v=0GzmbS5ReGI

DR.MURRAY BANKS CD 1A

How To Quit Smoking In Six Days Or Drop Dead In Seven!

Part 1: https://www.youtube.com/watch?v=pzATEJ9NtpY
Part 2: https://www.youtube.com/watch?v=JwsKM0qPL18
Part 3: https://www.youtube.com/watch?v=BXGYwGs_gsk
Part 4: https://www.youtube.com/watch?v=qS7URfiFC9k
Part 5: https://www.youtube.com/watch?v=bcW6fXYq5Zc
Part 6: https://www.youtube.com/watch?v=WFtN_kf24yo

DR.MURRAY BANKS CD 2A

Just In Case You Think You’re Normal

Part 1: https://www.youtube.com/watch?v=eSD1gBdMksc
Part 2: https://www.youtube.com/watch?v=OCD_fodHvyc
Part 3: https://www.youtube.com/watch?v=6u-XxELZ5No
Part 4: https://www.youtube.com/watch?v=kgopbtH4qEs
Part 5: https://www.youtube.com/watch?v=YtBPBkazW8I

 

Tags: , ,

Paris, A Gourmet’s Delight

EIFFEL TOWER

PARIS, A GOURMET’S DELIGHT.

AU MOUTON DE PANURGE HOTEL SCRIBE SKYLINE

PARIS, THE HEART 

EIFFEL TOWER PARIS 2016-01-17_10-42-28

PARIS THE BEAUTIFUL

EIFFEL TOWER BY DAVID SCHIFFMAN 1

OH! HOW  I WISH I WAS THERE NOW!  (Photo by David Schiffman)

ARC DE TRIOMPHE AT NIGHT

PARIS,  ARC DE TRIOMPHE AT NIGHT

Skipping through ‘Google’ recently, this site is so amazing! It’s like having your own personal reference library.
I came across a photo of Hugh Heffner, the Playboy magnate, dining at “Au Mouton de Panurge” in Paris in 1970. It reminded me of the many times that Ray and I dined there and set me thinking about those times

 

AU MOUTON DE PANURGE HOTEL SCRIBE BIG ONE

The Hotel Scribe in Paris.

During the 60’s and the 70’s, Ray and I always stayed at the Hotel Scribe whenever we were in Paris. It was so central and we could walk practically everywhere. It was just around the corner from the “Olympia Theatre” where I saw the wonderful Josephine Baker four times in “Paris Mes Amours.” We would also eat at least once on each visit at the Restaurant,“AU MOUTON DE PANURGE,” which was only a short walk from the Hotel Scribe.

AU MOUTON DE PANURGE HOTEL SCRIBE.NIGHT

The Hotel Scribe at Night

The history that surrounded this hotel is quite amazing, but in those days I had no idea, and until recently I wasn’t really interested.
The Hotel Scribe isn’t just an ordinary luxury hotel like its neighbor, the illustrious Opéra Garnier, which happens to be the most famous Opera House in the World.

AU MOUTON DE PANURGE Paris_Opera_full_frontal_architecture,_May_2009

The Opera Garnier, the most famous opera house in the world.

Remember, Opera Garnier was the scene for the Gaston Leroux novel “Phantom of the Opera”, which was also made into a musical, a play and a film four times.

The hotel was built in 1861. Since then, it’s served as the cradle of cinema and housed some of the most famous artistic names of all time. The hotel’s history and ties to the dramatic arts are still strong. On the fourth floor, there is a tribute to former resident Serge Diaghilev, founder of Ballets Russes de Monte Carlo, who appeared regularly at the Opera House. ( If I would have known it, I would have insisted on a room on the fourth floor )    

There’s a story around every corner of the Scribe. The first public presentation of the Lumière brothers’ revolutionary invention, the Cinematograph, took place at the Hotel Scribes in 1895.
The Scribe Hotel was, and still is, an icon of Parisian luxury. Thinking about it now, there is no way that I could possibly afford to stay at the Scribe at today’s prices, much as I would love to do so. But I digress.

AU MOUTON DE PANURGE IN PARIS.
The Temple of Good Eating
17 rue de Choiseul, 2nd arrondissement Paris.

Au Mouton de Panurg

Pour les gourmands, les gourmets, et les goinfres.
Translation:
(For connoiseurs of fine food, for the greedy and also for gluttons).

The Decor and Menu were designed by Albert DuBout (1905-1976), the famous Rabelais Illustrator. (Don’t worry if you don’t know what the word Rabelais means, I didn’t know either until I Googled it!)
The colourful and humorous souvenir menu had bawdy illustrations by DuBout. It had the same bawdy humour as one would find in the old naughty seaside postcards.

PANURGE-2001

PANURGE-2003

AU MOUTON DE PANURGE.

On entering the restaurant we were confronted by a large bell,

AU MOUTON DE PANURGE PHALLIC BELL3

The clapper of the bell was in the shape of an erect phallus complete with balls, which the ladies were requested by the waiters to stroke and then ring. You can see where I’m going! Some were shocked and some mildly protested, although those who protested too much always seemed to hold onto the clapper longer than the others, but finally they all rang the bell! So once the bell was rung the evening started, and the bell seemed to be ringing continually. The food and wine were excellent and there was plenty to choose from in the gourmet menu. As you can see the bread rolls which were in the same shape as the clapper in the bell, left nothing to the imagination.

AU MOUTON DE PANURGE BREAD ROLL

Do you think she measured it?

AU MOUTON DE PANURGE BREAD ROLL.EATEN

Hugh Heffner and his ladyf riend.who just couldn’t decide whether she should just nibble at it, or eat it whole!

AU MOUTON DE PANURGE BEATLES

The Beatles, Brian Epstein (with a chamber pot on  his head) and George Martin.

A Press Quote

“THE RIOTOUS MOUTON”

Well, here’s the damnedest place you ever got into. It is a prime favorite with many serious gourmets. Both male and female; food’s excellent , wine list is good, mirth runs riot, and prices are fair.

CHARLES H. BAKER JR.  (ESQUIRE)

The Au Mouton de Panurge, was a Parisian restaurant named for the French expression that refers to a person who blindly follows others, like sheep, without regard to the consequences. “The Sheep of Panurge,” was at 17 rue de Choiseul. 2nd. Arrondissment Paris.

RAY, ROSE & ERIC TRY PRINTING

Ray and Rose (my mother) and me spending an enjoyable evening at “Au Mouton de Panurge”

Later in the evening between the first and second courses, when the wine was flowing and everyone was enjoying themselves, the waiter would request the lady to stand on the table, and he would place a garter on her leg, just above the line of decency. The whole evening was hilarious, and great fun was had by all.

2013-01-30 LYDIA AT AU MOUTON DE PANURGE

Our good friend Lydia Lova joining in the fun.

2013-01-30 LYDIA MARK RAY AND ME.

Ray Jackson and Mark Canter (the costume designer) with Lydia Lova and me.

Having a great evening at “Au Mouton de Panurge.

A Press Quote

“PARIS AFTER DARK”

A Paris Restaurant that would never get by the Boston censors. Based on the Rabelais theory that laughter is the right of man,      “AU MOUTON DE PANURGE”  is jammed seven days a week for lunch and dinner.

ART BUCHWALD  (The New York Herald Tribune)    

AU MOUTON DE PANURGE GARTER 1970

Another young lady receiving the garter

AU MOUTON DE PANURGE-TIT TOUCHER

 

PANURGE-2008_002

The menu has a variety of famous signatures reproduced on it. The elite celebrity patrons included such famous names as Jean Cocyeau, Jean Marais, Martine Carol, Albert Schweitzer, Clarke Gable, Marcel Pagnol, Ali Khan, Rita Hayworth, Orson Welles, Errol Flynn, Mistinguette, Edith Piaf, the Beatles and Hugh Heffner. They were just a few among many others who dined at “Au Mouton De Panurge”.

TRATTORIA DELL’ARTE NEW YORK

AU MOUTON DE PANURGE TRATTORIA DELL'ARTE FRONT PAVEMENT

Digital Camera

The closest I have come across to the wonderful “Au Mouton de Panurge” was this year when I was in New York in June and went along on my first night for dinner with Angie and her family at the Trattoria Dell’Arte on 7th.Avenue, opposite Carnegie Hall.

 AU MOUTON DE PANURGE TRATTORIA DELL'ARTE 1

This bustling Tuscan restaurant has boobs, buns, lips and other body parts on it’s wall, even noses, but it was not quite Rabelais

Digital Camera

AU MOUTON DE PANURGE TRATTORIA DELL'ARTE 99

The food was excellent, with a wonderful choice, as was the wine, and the atmosphere was electric.

AU MOUTON DE PANURGE TRATTORIA DELL'ARTE 5

Digital Camera

So what more could one ask for? Well, maybe it would have been nice if some of the ladies were nibbling at a bread roll and a few of them stroking and ringing the bell!!!

 

Tags: , , , , , , ,

The Tony Awards

Well, I seem to have talked about the Tony’s so much that I might as well start with it. 

Digital Camera
It was a Champagne Night

 

20150721-162145 RADIO CITY FACADE PRINT THIS ONE

RAY JACKSON DANGEROUS YEARS THE TONYS PROGRAMME 2015

The Tony Awards was founded in 1947 by a committee of the American Theatre Wing headed by Brock Pemberton, and Antoinette Perry is the woman the Tony Awards is named after, she was nicknamed Tony, an actress, director, producer and co-founder of the American Theatre Wing, and she died in 1946.

(I found all this out through Google and looking at Time Magazine.)

Antoinette Perry was once quoted as saying:

“When I was a child, I didn’t say, as most children do, that I was going to become an actress.

I felt that I was an actress and no one could have convinced me that I wasn’t.”

TONY AWARDS TONY PERRY PRINT 1Antoinette Perry, stage actress and director (1888-1946)

I became so intrigued with Antoinette Perry and how the Tonys first started that I just have to print in this Blog an article that was written by theatre journalist, Ellis Nassour entitled ‘The Original Tony’ and also another entitled ‘The Mayor of Broadway Dies at 91’, the story of Vincent Sardi Jr., written by William Grimes.
Vincent Sardi Jr. was one of the first recipients to receive a Tony Award and the reason was quite intriguing.

TIME Magazine called Tony Perry ‘the wartime guiding spirit of the American Theatre Wing’
(When the first Tony Awards were given in 1947, it wasn’t quite the polished production that theatre fans have come to expect. The ceremony was on a much smaller scale, and the actual awards were decidedly quirkier, as TIME reported in 1947.)

During the first two years of the Tonys (1947 and 1948), there was no official Tony Award. These days there are 24 categories of awards , plus several special awards.
The first awards ceremony was held on April 6, 1947, at the Waldorf Astoria hotel in New York City. The first prizes were “a scroll, cigarette lighter and articles of jewellery such as 14-carat gold compacts and bracelets for the women, and money clips for the men. It was not until the third awards ceremony in 1949 that the first Tony medallion was given to award winners.

20150723-151605

“The American Theatre Wing handed out memorial awards in 1947 for Director Antoinette Perry (Harvey, Kiss the Boys Goodbye), who died last year. Among the recipients: Helen Hayes, Ingrid Bergman, Jose Ferrer and Fredric March, for their Broadway performances this season; Mr. & Mrs. Ira Katzenberg (TIME, Jan. 30, 1939) for their durability as first-nighters; Restaurateur Vincent Sardi Sr., “for providing a . . . comfort station for theatre folk. . . .”

The Original “Tony” by Theatre Journalist Ellis Nassour

The American Theatre Wing’s Tony Awards® got their start in 1947 when the Wing established an awards program to celebrate excellence in the theatre.
Named for Antoinette Perry, an actress, director, producer, and the dynamic wartime leader of the American Theatre Wing who had recently passed away, the Tony Awards made their official debut at a dinner in the Grand Ballroom of the Waldorf Astoria hotel on Easter Sunday, April 6, 1947. Vera Allen, Perry’s successor as chairwoman of the Wing, presided over an evening that included dining, dancing, and a program of entertainment. The dress code was black tie optional, and the performers who took to the stage included Mickey Rooney, Herb Shriner, Ethel Waters, and David Wayne. Eleven Tonys were presented in seven categories, and there were eight special awards, including one for Vincent Sardi, proprietor of the eponymous eatery on West 44th Street. Big winners that night included José Ferrer, Arthur Miller, Helen Hayes, Ingrid Bergman, Patricia Neal.

Early Stages

At age 15, she joined her uncle George Wessells’s touring company. “I watched and learned. I did everything from helping in wardrobe to selling tickets. I was petite and blonde and soon was playing the ingenue in melodramas and farces. Eventually, Uncle George trained me, mainly in the Shakespearean male roles.”
She left the Wessels company in 1905 in Chicago where she auditioned for the part that brought her to New York. She was almost immediately cast to join The Music Master, a long-running melodrama about a Viennese conductor in America searching for his daughter. Miss Perry played the lead female role opposite David Warfield, one of the theatre’s most popular actors.
Warfield had great admiration for Miss Perry and they became friends. He was associated with impresario David Belasco and arranged for Miss Perry to audition for him. In October 1907, Miss Perry was cast as Warfield’s leading lady in Belacso’s A Grand Army Man at his new Styvestant Theatre (now the Belasco).

Soon, another man was in Antoinette Perry’s life. Frank Frueauff, an old beau from home who merged Denver Gas and Electric, of which he was vice president, with Cities Service (now CITGO). They fell madly in love, and, at the peak of her New York acting career, Miss Perry married Frueauff.

In 1920, approached by Brock Pemberton, a flamboyant press agent turned producer, Miss Perry, unbeknownst to Frueauff, became an “angel” in Pemberton’s production of Zona Gale’s comedy Miss Lulu Bett. It went on to win the Pulitzer Prize and become a huge hit. Soon Miss Perry was Pemberton’s silent partner. When her husband discovered his wife has invested in theatre and had done so well, he gave his blessings. Then, in 1922, he died of a heart attack. He left a $13-million estate.

“Mother generously lent money,” daughter Margaret Perry, 89 and an actress who long ago gave up theatre, said from her wilderness ranch in Colorado, “and bailed actors and playwrights out of overdue hotel bills. She enjoyed the extravagant life. The summer of 1923, she took us, our governess, Uncle Brock, as we were instructed to call him, and his wife Margaret, and ten others to Europe for seven weeks. On coming home, Mother heard theatre’s siren call again.”

A Director is Born

She went into a great depression and became an avid reader. Inspired by actress/playwright Rachel Crothers, who directed her own plays, Perry decided she wanted to direct. Her wealth, which she doubled playing the stock market, and her relationship with Pemberton were her entree. They joined forces, professionally as well as romantically, and had modest successes. In 1929, they struck paydirt with Preston Sturges’s Strictly Dishonourable, a cynical play about virtue and Prohibition. A critic praised Perry “for doing a man’s job” as director. Scalpers got $30 a ticket. Movie rights were sold. They were on their way to easy street.
A month later, the stock market crashed.

“Mother awoke two million dollars in debt,” recalled Margaret. “It took seven years to recover. Somehow, probably because of the success of Strictly Dishonourable, she got a loan of two million dollars.”

Perry and Pemberton shared an intimate office in a theatre (it was adjacent to the Imperial, where there is a parking lot today), and lunched daily at Sardi’s, where they fuelled lots of theatrical gossip. However, at the end of their business day, she’d go home to her children and he to his wife.

Antoinette Perry: Philanthropist

In spite of her theatrical credentials, Perry is best remembered for her generosity and leadership in World War II as a co-founder of the Theatre Wing of Allied Relief, subsequently, the American Theatre Wing.

The Wing operated the famed Stage Door Canteen in the basement of the (now razed) 44th Street Theatre, where stars worked as dishwashers, waiters, waitresses, and entertainers for the armed forces. The sale of film rights for a story about the canteen, and a six-figure check from Perry along with support from Rodgers and Hammerstein, provided USO tours of shows to overseas troops.

Margaret confided her mother was an inveterate gambler. “The seed money for many a Wing activity or show investment came from her track winnings. Even during Wing board meetings, mother played the horses. She’d have her secretary tip toe in to give her the odds, then place a wager with a bookie.”
Perry was also president of the National Experimental Theatre and financed, with Actors Equity and the Dramatists Guild, the work of new playwrights. During and after the war, she underwrote auditions for 7,000 hopefuls. Her dream of a national actor’s school was realized in 1946.

“Mother developed heart problems,” Margaret explained, “but, as a devout Christian Scientist, she refused to see a doctor. That, her directorial duties and her dedication to the work of the Wing took a terrible toll.” By now, because of their huge successes, Pemberton was a member of cafe society and, because of his brother’s membership in the Algonquin Roundtable, on the best terms with literary society. “But,” noted Margaret, “from wherever he was, he’d call Mother every night. Often his calls were the only thing that alleviated her intense physical pain.”

Well, that told me about the Tony Awards, but how did Sardi’s equate to this story?

  1. SARDI'S RESTAURANT PRINT
    Vincent Sardi Jr., Restaurateur and Unofficial ‘Mayor of Broadway,’ Dies at 91

The New York Times
Vincent Sardi Jr. In 1991
By William Grimes
Published: January 5, 2007

Vincent Sardi Jr., who owned and managed Sardi’s restaurant, his father’s theatre-district landmark, for more than half a century and became, by wide agreement, the unofficial mayor of Broadway, died yesterday at a hospital in Berlin, Vt.. He was 91 and had lived in Warren, Vt., since retiring in 1997.

The cause was complications of a urinary tract infection, said Sean Ricketts, a grandson and manager at the restaurant.

Mr. Sardi ran one of the world’s most famous restaurants, a Broadway institution as central to the life of the theatre as actors, agents and critics. It was, the press agent Richard Maney once wrote, “the club, mess hall, lounge, post office, saloon and marketplace of the people of the theatre.”

Mr. Sardi understood theater people, loved them and was loved in return. He carried out-of-work actors, letting them run up a tab until their ship came in. (At one point, Sardi’s maintained 600 such accounts.)

He attended every show and made sure his headwaiters did the same, so that they could recognize even bit players and make a fuss over them. At times, he exercised what he called “a fine Italian hand,” seating a hungry actor near a producer with a suitable part to cast.

He commiserated with his patrons when a show failed, and rejoiced with them when the critics were kind. He distributed favors, theater tickets and food, rode on horseback with the local police, and acted as a spokesman, official and unofficial, for the theatre district.

Mr. Sardi was born on July 23, 1915, in Manhattan and spent his early childhood in a railroad flat on West 56th Street, where his parents took in show-business boarders. In 1921, his father took over a basement restaurant in a brownstone at 246 West 44th Street. He named it the Little Restaurant, but theater people called it Sardi’s, and so it became.
The family lived upstairs. When the building was razed in 1927 to make way for the St. James Theatre, Sardi’s moved to its current location, at 234 West 44th.St.

 

SARDI'S NEW YORK FOR BLOG

(I’m happy to say that I had Lunch and Dinner 4 times at Sardi’s, whilst I was in New York this time.)

 

SARDI'S INTERIOR PRINT 1The Interior view of Sardi’s

Vincent Jr., whom his father called Cino, attended Holy Cross Academy on 43rd Street. He got a taste of the theatre at an early age, appearing as Pietro, an Italian urchin, in “The Master of the Inn” at the Little Theater when he was 10. The play closed quickly, but not before Vincent learned about the subtleties of the actor-director relationship. When he pointed out that an Italian would say “addio,” not “adios,” he was told to keep his opinions to himself and read the line as written.

In 1926, the Sardis moved to Flushing, Queens, where Vincent graduated from Flushing High School. He entered Columbia University intending to become a doctor, but failed the chemistry examination, in part because, short of pocket money, he had sold his textbook at Barnes & Noble so he could attend a dance. He transferred to Columbia Business School and earned a degree in 1937.

In the meantime, he began working in the family business on weekends, earning $14 a week. “My duties included stints at the cigarette counter, shifts at the cash register and a few attempts at being a Saturday headwaiter in the upstairs second-floor level,” he recalled in Playbill.

He also learned how to cater to Sardi’s unusual clientele. When Broderick Crawford was appearing in “Of Mice and Men,” Vincent was volunteered to take the actor’s Doberman for its nightly walk.

Mr. Sardi spent two years learning the food-service business at the Ritz-Carlton before rejoining Sardi’s in 1939 as dining-room captain. That year he married Carolyn Euiller. The marriage ended in 1946.

In 1942 he joined the Marine Corps, which took one look at his résumé and assigned him to run the bachelor officers’ mess at the Cherry Point Air Station in North Carolina. The next year he was sent to Okinawa, where he supervised a rest camp. He left the Marines as a captain. In 1946, he married Adelle Rasey, an actress. That marriage, too, ended in divorce.
In 1947 Vincent Sr. retired, and Vincent Jr. took over the restaurant, buying it from his father. Sardi’s was already renowned as a place where deals were made, gossip circulated and actors and producers made it their business to see and be seen. “The restaurant had a central place in the theatre,” said Gerald Schoenfeld, the president of the Shubert Organization. “You could walk in at lunch and do a day’s business, see people you hadn’t seen in a long time. You didn’t think of going anywhere else.”

Mr. Sardi, a tall, affable man with a military bearing, perfected the art of seating enemies far apart and putting friends and potential allies near one another. “He was always the soul of politesse, but where he seated you could be crucial to making a deal,” said the producer Arthur Cantor.

Mr. Sardi also knew how to keep temperamental actors happy. “You’ve got to be awfully careful with actors out of work,” he told an interviewer. “They’re very sensitive about their fading prestige, and I know darn well they scrimp to come in here, on the chance that they’ll be considered for a part. Boosting an actor’s ego with a table in a good location is simply my way of giving him a pat on the back.”

When he was not running the restaurant, Mr. Sardi raced cars, played polo and skied. He was also president of the Greater Times Square Committee in the 1960s and the Restaurant League of New York in the 1970s.

If Sardi’s was a club, its rules were mysterious. Only Mr. Sardi knew them, and only he could explain why, for many years, one of the best tables was held for Mr. and Mrs. Ira Katzenberg. The Katzenbergs, who by the early 1950s had attended virtually every Broadway opening for 30 years, took their seats at Sardi’s at 7:15 and ordered, without fail, a brandy and a bottle of Saratoga water. Mr. Sardi called them his favourite customers.

“People like them keep the theatre alive, and the theatre is their life,” he said. “The least we can do is give them the best table in the house.”
Mr. Sardi could do nothing about the autograph hounds and the photographers who crowded around the entrance. But inside the front doors, his word was law. Diners were not to be disturbed.

Sardi’s shone brightest on the opening night of a Broadway show, and in the 1960s, a show opened nearly every night. The ritual never varied. In a line that stretched down 44th Street, theatregoers, theatre insiders and celebrity watchers clamored for a table, hoping against hope to be seated on the first floor, where they could see cast members, producers and the playwright of the moment entering the restaurant after the curtain rang down. As the actors made their way to their tables, the diners would stand and applaud.

Once seated, the actors, producers and playwright would put on a brave face waiting for the reviews. The first 25 copies of The New York Times and The New York Herald Tribune were rushed over to Sardi’s from the printing presses at midnight, with the review pages marked. Mr. Sardi would man the telephone, taking calls from friends of the cast, ticket brokers and newspaper columnists eager to get a read on the fate of the new play. If the reviews were poor, a pall descended over the dining room, and diners would slink out the door. If the reviews were good, it was Champagne all around and a celebration until the wee hours.

“All of us on the staff were caught up in each Broadway play,” Mr. Sardi wrote in Playbill. “We became involved in the raising of money, the casting of roles, the progress of rehearsals, and, after opening night, the success or failure of a play.”

In 1946, hoping to capture some of the excitement of Sardi’s, the radio station WOR created “Luncheon at Sardi’s,” an hour long program in which the host moved from table to table, microphone in hand, interviewing celebrities. In 1949, the show spawned a television spinoff, “Dinner at Sardi’s,” which failed to catch fire. The celebrities had a bad habit of using their air time for shameless self-promotion.

Undeterred, Mr. Sardi appeared as himself in two television dramas in the mid-50s, “Catch a Falling Star,” on “Robert Montgomery Presents,” and “Now, Where Was I?” a CBS production. He also turned out a cookbook, “Curtain Up at Sardi’s” (1957), which he wrote with Helen Bryson. It included, of course, the restaurant’s signature dish, cannelloni with Sardi sauce, a homey curiosity in which French crepes were stuffed with ground chicken, ground beef, spinach and Parmesan cheese, then topped with a velouté sauce enhanced with Hollandaise, sherry and whipped cream.

By the late 1950s, Sardi’s was grossing about $1 million a year, and in 1958, looking to expand, Mr. Sardi opened Sardi’s East, at 123 East 54th Street.

Mr. Sardi threw his all into the new venture. He arranged for theatregoers to be taken to Broadway on a London double-decker bus. He hired out-of-work actors as conductors. He lured his father out of retirement and installed him as manager. Sardi’s East never caught on, however, and Mr. Sardi sold it in 1968.

By the 1960s, the Times Square area was deteriorating, the theater district was becoming more dangerous and the vibrant world of culture that had nourished Sardi’s entered a period of decline. To make matters worse, in 1974, Mr. Sardi embarked on a ruinous venture, opening a 700-seat dinner theatre in Franklin Square, on Long Island. The theatre burned money for two years before closing.

At Sardi’s, critics complained, standards seemed to be slipping. “Those who go to the restaurant to observe celebrities will rarely be disappointed,” Mimi Sheraton wrote in a 1981 review for The Times. “Those who go for good food that is well served will rarely be satisfied.”

Gradually, Sardi’s became a tourist destination. The lunchtime business evaporated. The restaurant was showing its age. In September 1985, Mr. Sardi sold it for $6.2 million to two producers from Detroit, Ivan Bloch and Harvey Klaris, and the restaurateur Stuart Lichtenstein. They announced plans to bring back the old luster and open up a Sardi’s restaurant, hotel and casino in Atlantic City. Instead, they fell behind on payments, declared bankruptcy and closed the restaurant in June 1990.

Mr. Sardi, who had planned to spend a tranquil retirement in Vermont, resumed ownership of Sardi’s in 1991. He gave it a facelift, leaving intact the 700 or so caricatures of theatre people that hang on the walls. He also brought in serious chefs, who gradually improved the quality of the food, although Sardi’s, even in its heyday, never owed its reputation to its kitchen. As his health declined, Mr. Sardi spent less and less time at the restaurant, turning its operation over to his partner, Max Klimavicius, who will continue to run the business, a restaurant spokesman said yesterday.

Mr. Sardi is survived by his wife, the former June Keller; three children, Paul, of Coco Beach, Fla.; David, of San Diego; and Tabitha, of Manhattan; a sister, Anne Gina Sardi of Stamford, Conn.; nine grandchildren; and four great-grandchildren. A daughter, Jennifer, died earlier.

The family plans to hold a memorial service at a date to be announced but at a location that is certain: Sardi’s.

So this was the History of Sardi’s and its Theatrical Involvement with the Tonys.

Digital CameraAngie and I having pre Tony Award drinks at the Hilton Hotel Midtown.

Now Angie and I were about to see the 69th Annual Tony Awards Ceremony, and what a truly magical evening on Broadway it turned out to be from beginning to end.

We had to be in our seats by 6:45pm as the doors closed at 7:00pm and the evening finally finished at around11:30p.m. The time just seemed to fly by.

Angie and I walked from the Hilton Hotel along Avenue of Americas to the Radio City Music Hall, it was just a short walk of a couple of blocks and the traffic was at a standstill. Everybody seemed to be heading for the Tonys, and all in Black Tie and the Ladies in either Cocktail or Evening Dresses.

The side entrance to the theatre, is where the red carpet is placed and that is where all the stars and the Interviews take place. So the main entrance is left clear for the general public.

I was completely confused because I thought the red carpet was in the front of the theatre. But of course where they do it makes sense. So the traffic can keep flowing

 

Digital Camera

Once inside the champagne kept on flowing. This was even before we had reached our seats.

Digital Camera

How glamorous it all looked. Angie had booked us G Row Centre in the first mezzanine (which is Dress Circle to us Brits), so we could see everything.

20150728-123055 LIGHTENED

INTERIOR OF RADIO CITY MUSIC HALL PRINT

Here’s a view from the Stage.

The size of the Radio City Music Hall just takes your breath away it is enormous, and there we were with a perfect view of everything. How lucky could one get? This photo just shows a small portion of the theatre.

INTERIOR OF RADIO CITY MUSIC HALL PRINT 3

Side view from the Auditorium, these 3 shots give you some idea of how large Radio City Music Hall really is.

RAY JACKSON DANGEROUS YEARS THE 2 HOSTSThe show was Hosted by Kristin Chenoweth and Alan Cumming, and what a wonderful job they made of the whole evening.

There were 24 awards and each award had 4 or 5 Nominees, so the excitement in the audience was electric.

20150730-163355

A Lifetime Achievement in the Theatre Award went to Tommy Tune for his work as actor, dancer, director and choreographer.

20150730-163626

You may recall him as the Long Legged Fiancée in the film “Hello Dolly”. Of course he’s a lot older now. But aren’t we all !

Some of the shows nominated performed a scene from their show. Of course,the arrangement and running of the show was flawless.

CHITA RIVERA SOLO POSTER PRINT THIS ONE

Chita Rivera who was nominated for a leading actress in a musical, and she also appeared in a scene from “The Visit” which was also nominated for best revival of a musical. This 82 year old star is amazing!  But unfortunately “The Visit” lost out to “The King and I” in both cases.

20150723-150755

Later in the week Angie and I saw “The Visit”, which was quite stunning and very different from most musicals with it’s dark theme. Chita Rivera was excellent, it was so great to see her again.

I remembered when Ray and I saw her originally in “Bye, Bye Birdie” with Dick Van Dyke in 1960, then later with Gwen Verdon in “Chicago” 1976, and later on in “Merlin” 1983 with Doug Henning in which she walked away with the show. All these shows we saw on Broadway.

Unfortunately, the Theatre business being what it is, “The Visit” closed on the 14th of June.

20150721-161809

Digital Camera

20150721-161933 LIGHTENED PRINT

Chita Rivera in “The Visit” at the Tonys.

The British contingent won with “Curious Incident of the Dog in the Night-Time” for the best play, and “Skylight” for best revival. But the evening really went to Helen Mirren for best performance by a leading actress in “The Audience”, and what a performance it is. Later in the week Angie and I went to the Gerald Schoenfeld Theatre to see the show and after seeing it, I think that Helen Mirren deserves a blog all to herself.

Digital CameraHelen Mirren on stage at the Tonys

Of course, it’s completely out of focus, but I assure you it was Helen Mirren, and you can see all the illuminated posters for “The Audience” around her. I’m useless with a camera, but there she is at the Tonys accepting her award for her performance in “The Audience”.

So by the end of the evening I returned to the Hilton happy but hungry as everywhere all the restaurants seemed to have suddenly closed.

 

Tags: , , , , ,