Mel Brooks and his London Stage Version of “Young Frankenstein”.

I decided to see “Young Frankenstein” before it closed because I was enamored with the film, which I saw four times, and I think that Mel Brooks is a genius, a brilliant comic, a great writer, and a very clever film director. All that in just one small package which spells ‘MEL BROOKS’!

  

Mel Brooks

Well I should have saved my money. The best thing about the Show was the Curtain.

Nimax Theatres Ltd., I believe, is the company that owns the Garrick Theatre.

 

 The Garrick Theatre

Instead of acquiring another theatre, as they seem to do like like a baby octopus, they should spend some of their shekels on cleaning up and refurbishing the Garrick Theatre. It is a disgrace! When you sit in the dress circle you expect the seats to be comfortable. Not at the Garrick! The padding has practically worn down to the wood, and those that are in a fairly good condition are even worse, because you can finish up with a spring hallway up your arse!

Last year when I saw Kenneth Branagh and Rob Brydon in “The Painkiller” at the Garrick, I sat in the dress circle, maybe it could have been the same seat, and finished up with arse ache!  That was a ‘Real Painkiller’ and how appropriate! What a pun that is!

Well, things haven’t improved!

The usherettes stand at the doorway chewing gum and selling programmes, and they do not move. They’re busy talking! and talking! and talking! I think it was about the boys make-up!  They are not interested in showing you to your seat. I was told ‘Row D, Centre!’ by he or she or it. I didn’t know what it was!  All I do know is that usherettes are supposed to usher, move their arses, and take you to your seat. Not stand in the entrance talking and chewing and looking very bored. No wonder the show is coming off!  Most probably they are in the same quandary as the audience because they also don’t know where the rows are. I entered the theatre and couldn’t see a bloody thing! Remember I’m 88, no spring chicken! After stumbling around I found Row D. The aisles and quite a few seats are not numbered. Just a few have faded numbers. So you finish up counting from a number you can see to find your seat.

Nimax Theatres Ltd., do the bloody theatre up!!!

‘This is a fine start to my evening’s enjoyment’, I thought.

The Show itself was not good or really that funny. It was more like a No.1 touring version of the original West End production. In fact, I’ve seen better in the provinces. All I could think was that when Mel Brooks saw it, he quickly collected his money and caught the next plane back to the U.S.A. Very wise!

They were the best of the bunch, and even they seemed to be tired!

 I was so disappointed with the show that I left at the Interval.

I don’t blame the cast or the production. If the seats would have been comfortable and the usherettes would have done their job, maybe I would have seen the whole show from a different prospective

But I have to blame the two usherettes and Nimax Theatres Ltd., who started it all, and got me really pissed off, and put me into such a bad mood!!!  What a disaster!!!

I haven’t talked much about the show, because truthfully  there was nothing really  much of importance to talk about.

NOW “42nd. Street” at the Theatre Royal, Drury Lane. WOW!

That’s, what you call a Show!

I went from the ridiculous to the sublime! The show and the cast are fantastic! You just cannot fault it.

With a cast of over 50, it is a gem and should run for years.

I couldn’t believe that this was the same theatre that I played in when I was ‘ZEE and CO.” with Cannon and Ball when we made the T.V. Special so many, many, many years ago.

Lulu was excellent, you couldn’t fault her.

I left the Theatre a very, very, very happy bunny!  That is what Show Business is all about!  Great Theatre! Wonderful memories of when I was working there. and seeing a wonderfully spectacular show.

 

Epigram

As Agatha Christie once said and I agree:

THE  BEST  TIME FOR  PLANNING  A  BOOK  IS  WHILE  YOU’RE  DOING  THE  DISHES”

Dame Agatha Mary Clarissa Christie, OBE (née Miller; 15 September 1890 – 12 January 1976) was a British crime writer of novels, short stories, and plays. She also wrote romances under the name Mary Westmacott, but she is best remembered for her 66 detective novels and more than 15 short story collections (especially those featuring Hercule Poirot or Miss Jane Marple), and her successful West End plays.

According to the Guiness Book od World Records, Christie is the best-selling novelist of all time. Her novels have sold roughly four billion copies, and her estate claims that her works rank third, after those of William Shakespeare and the Bible, as the most widely published books. According to Index Translationum, Christie is the most translated individual author, and her books have been translated into at least 103 languages. And Then There Were None (originall titled Ten Little Niggers) is Christie’s best-selling novel with 100 million sales to date, making it the world’s best-selling mystery ever, and one of the best-selling books of all time. In 1971, she was made a Dame by Queen Elizabeth II at Buckingham Palace.

Christie’s stage play The Mousetrap holds the record for the longest initial run: it opened at the Ambassadors Theatre in London on 25 November 1952 and as of 2012 is still running after more than 24,600 performances.^[5] In 1955, Christie was the first recipient of the Mystery Writers of America’s highest honour, the Grand Master Award, and in the same year Wirness for the Prosecution was given an Edgar Award by the MWA for Best Play. Many of her books and short stories have been filmed, some many times over (Murder on the Orient Express, Death on the Nile and 4-50 From Paddington for instance), and many have been adapted for television, radio, video games and comics.

Agatha Christie published two autobiographies: a posthumous one covering childhood to old age; and another chronicling several seasons of archaeological excavation in Syria and Iraq with her second husband, archaeologist Max Mallowan. The latter was published in 1946 with the title, Come, Tell Me How You Live.

In 2004, a 5,000-word story entitled The Incident of the Dog’s Ball was found in the attic of the author’s daughter. This story was the original version of the novel Dumb Witness. It was published in the UK in September 2009 in John Curran’s Agatha Christie’s Secret Notebooks: Fifty Years Of Mysteries, alongside another newly discovered Poirot story called The Capture of Cerberus (a story with the same title, but a different plot, to that published in The Labours Of Hercules).

From Wikipedia, the free encyclopedia